Bob Clark’s slasher is widely considered the first of its kind by horror aficionados, even pre-dating John Carpenter’s “Halloween” by several years, and it’s that
Creepshow (Season 1) (2019)
Shudder’s “Creepshow” is yet another successful reboot for the growing streaming service (following the warmly greeted revival of “The Last Drive-in with Joe Bob Briggs”),
The Last Drive-in with Joe Bob Briggs: A Very Joe Bob Christmas – “Phantasm 3” (2018)
Another fun entry in Shudder’s ever-growing repertoire of Joe Bob Briggs and his distinctive brand of horror fandom, this showing of “Phantasm 3” manages to
The Last Drive-in With Joe Bob Briggs: A Very Joe Bob Christmas – “Phantasm” (2018)
This is the first episode of as twelve-hour Christmas horror marathon hosted by Joe Bob Briggs for Shudder, and like the majority of the series’
Seth Meyers: Lobby Baby (2019)
I’ve never seen a Seth Meyers stand-up routine before so I have no clue how this compares to his usual output, but I found it
Chernobyl (Miniseries) (2019)
Craig Mazin’s miniseries-long re-enactment of the catastrophic events that led to one of the worst man-made disasters in world history is more intense and frightening
Shoah (1985)
Claude Lanzmann’s 556 minute documentary about the Holocaust is one of those movies that exists beyond praise or criticism. The subject matter is so unimaginably
The People vs. Larry Flynt (1996)
Milos Forman’s dramatization of Larry Flynt’s eventful life is blessed with charismatic central performances as well as Forman’s own strengths as a storyteller, and in
Haunt (2019)
Directors Bryan Woods and Scott Beck’s Halloween-horror effort “Haunt” is like putting Tobe Hooper’s “The Funhouse” and Kevin S. Tenney’s “Night of the Demons” into
Feeling Minnesota (1996)
“Feeling Minnesota” is one of those mid-level studio movies that used to be pumped out fairly regularly in the 1990s that feature A-list celebrities (in
Basquiat (1996)
Julian Schnabel’s biopic of graffiti artist Jean-Michael Basquiat is pure 1990s indie glory: There’s the pre-9/11 New York City of the 1990s (although the film
Jenny Slate: Stage Fright (2019)
I’m a little torn about Jenny Slate’s debut comedy special. On the one hand, I absolutely adore Slate, and have ever since I saw her
