Having never seen Beavis and Butt-Head’s MTV show, I can’t offer much insight on how the show translates to the big screen, but what I
Shadows and Fog (1991)
Woody Allen’s valentine to 1930s genre cinema like “M” and Universal monster movies is extraordinarily well-shot, with its intricate and lovingly recreated sets, but there’s
The UFO Incident (1975)
Based on the true story of Barney and Betty Hill’s alleged abduction in the 1960s, this made-for-television account benefits from the participation of leads James
Janeane Garofalo: If I May (2016)
To call Janeane Garofalo’s hour-long special “comedy” would be a disservice to comedy itself. After all, even Garofalo herself refers to this as more of
Rampage (2018)
Despite its significant budget, “Rampage” is pure B-movie cheese from beginning to end, and that’s also exactly why it’s so much fun. There isn’t anything
Thor (2011)
Among the early Marvel movies, Kenneth Branagh’s “Thor” is easily the most visually stunning entry. Branagh’s camera is as much a character here as anybody
30 Rock (The Complete Series) (2006-13)
Tina Fey’s sitcom, obviously based on her years as lead writer at “Saturday Night Live,” arrives with all the urgency and weight of a modern
Beyond the Spectrum – Being Taken (2018)
There isn’t much that this low-budget documentary adds to the tradition of UFO documentaries, and those standards are rather low to begin with. The movie’s
Iron Man 2 (2010)
This sequel to the 2008 juggernaut is more of the same, for better or worse. On the one hand, the formula that worked so well
Arrested Development (Season 5 – Part 2) (2019)
An additional eight episodes joins “Arrested Development”s fifth season (with eight episodes previously released in May 2018), but it’s somehow even worse than any of
Revenge of the Nerds 3: The Next Generation (1992)
Although it’s not intelligent or well-done in any way, “Revenge of the Nerds 3” is far better than its predecessor despite being a made-for-television movie,
Little Shop of Horrors (1986)
From the moment it begins, this big-budget adaptation of the Broadway musical (itself an adaptation of the 1960 Roger Corman horror movie co-starring a young
