Colin Minihan’s “Extraterrestrial” is a sorely underappreciated, grisly and impressively mean-spirited little number. Mind you, that’s not to suggest that it’s a gem or an
Author: julienhoule
I've been a lifelong over-indulger of pop culture, from movies to music to television to books, so I figured I'd start writing about it if only to stay literate.
Ready or Not (2019)
Like crossing 2011’s “You’re Next” with “Home Alone,” “Ready or Not” is one of those strikingly original horror movies that comes around once in a
Itsy Bitsy (2019)
Director Micah Gallo’s creature feature has all the charm of 1990s director-to-video horror entries that made the genre so much fun to discover for the
The Game (1997)
It’s consistently astonishing to me that David Fincher’s “The Game” doesn’t get more love than it does. After all, it’s one of the most compelling,
Kylie’s Secret Night (2019)
This 90-minute special aired on Christmas Day in the UK, featuring Kylie Minogue, her superfans, and host Alan Carr, and in the process demonstrated why
Alice Doesn’t Live Here Anymore (1974)
“Alice Doesn’t Live Here Anymore” seems to me like the type of movie that fans of director Martin Scorsese appreciate more than they enjoy, and
In Fabric (2018)
Peter Strickland’s latest pseudo-psychedelic nightmare come to life takes a while to sink in, but once it does, it’s the sort of movie you want
Zombieland: Double Tap (2019)
Ruben Fleischer’s sequel to his 2009 breakthrough is just as entertaining and likable as the first. Despite the decade that’s passed, none of the first
Cuck (2019)
“Cuck” is the type of grimy, rough-edged indie that would be a thousand times better if it was about 30 minutes shorter, and not quite
The Addams Family (2019)
When sitting down to watch this latest adaptation of the famous cartoon by Charles Addams, it’s hard to shake the feeling that there’s no reason
Fatal Attraction (1987)
One of the definitive thrillers of the 1980s, Adrian Lyne’s trendsetting blockbuster hasn’t aged particularly well (in particular its gender politics), but goodness gracious, is
Party Girl (1995)
Daisy von Scherler Mayer’s indie hit hasn’t aged particularly well, which was a disappointment when I sat down to re-watch it for the first time
