Reminiscent of Roman Polanski’s paranoid classics like 1965’s “Repulsion” and 1976’s “The Tenant” as well as Italian giallos like Dario Argento’s 1977 “Suspiria,” Peter Strickland’s

Reminiscent of Roman Polanski’s paranoid classics like 1965’s “Repulsion” and 1976’s “The Tenant” as well as Italian giallos like Dario Argento’s 1977 “Suspiria,” Peter Strickland’s