Reminiscent of Roman Polanski’s paranoid classics like 1965’s “Repulsion” and 1976’s “The Tenant” as well as Italian giallos like Dario Argento’s 1977 “Suspiria,” Peter Strickland’s
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Reminiscent of Roman Polanski’s paranoid classics like 1965’s “Repulsion” and 1976’s “The Tenant” as well as Italian giallos like Dario Argento’s 1977 “Suspiria,” Peter Strickland’s
