This adaptation of Whitley Strieber’s divisive cult classic is half a good movie, half a fatally miscalculated one. First, the good: Strieber’s real-life account of

This adaptation of Whitley Strieber’s divisive cult classic is half a good movie, half a fatally miscalculated one. First, the good: Strieber’s real-life account of
It’s hard to watch “The Sentinel” and not be reminded of Roman Polanski’s early work, specifically “Rosemary’s Baby” and “The Tenant.” In a way, that’s
“Hairspray” is one of those movies that you can watch anytime, and it will always make you smile ear to ear. From the first few
“Batman Returns” is likely the Tim Burton-ieast Tim Burton movie of the auteur’s filmography. From the first frames, it’s the perfect sum of its parts:
Julian Schnabel’s biopic of graffiti artist Jean-Michael Basquiat is pure 1990s indie glory: There’s the pre-9/11 New York City of the 1990s (although the film
Directed by Tony Scott and written by Quentin Tarantino, “True Romance” couldn’t be more Tarantino-esque if it tried. Christian Slater is on hand at a