“Jacob’s Ladder” is one of those acclaimed movies that I somehow managed to avoid for some reason. Maybe it’s the portentous trailer, or the unclear

“Jacob’s Ladder” is one of those acclaimed movies that I somehow managed to avoid for some reason. Maybe it’s the portentous trailer, or the unclear
Larry Cohen’s cult marketing satire takes elements from “Invasion of the Body Snatchers” and results in an entertaining, paranoid horror-comedy typically blessed by Michael Moriarty’s
Part “La Femme Nikita,” part “Lolita,” Luc Besson’s masterpiece “Leon: The Professional” plays both like an American blockbuster and a European art film at the