Robert Altman’s casually vicious satire of the Hollywood film industry has perhaps lost some of its acidity over the decades, as audiences have found out

Robert Altman’s casually vicious satire of the Hollywood film industry has perhaps lost some of its acidity over the decades, as audiences have found out
I’ll be the first to admit that I’m not the biggest fan of “Predator,” but even I think it deserves a much better sequel than
Oh, boy. Where to start with this one? The relentless, gratuitous nudity? The juvenile vulgarity? The oppressive misogyny? There’s just nothing good going on from