Like an even lower-budgeted version of its own predecessor, “Freeway II” is an acidic, gritty and undeniably funny (not in a haha way, in a
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But I’m a Cheerleader (1999)
Director Jamie Babbit’s bubbly, incisive satire of gay conversion camps (which are, in reality, physical, emotional, psychological and sexual torture) is impressive for many different
Sarah Cooper: Everything’s Fine (2020)
Despite an uber-talented, all-star cast, the sure-handed direction of Natasha Lyonne and comedian Sarah Cooper’s impeccable timing, this is pretty much a waste of time.
Slums of Beverly Hills (1998)
It’s a bit of a shame that director Tamara Jenkins’s feature length inexperience shows throughout this movie, because at its heart, there’s a great little
Antibirth (2016)
It’s a shame that the marketing for this visually arresting horror film focused on the freakshow aspect of its storyline, as it suggests an empty,
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