If “The Legend of Billie Jean” were to be released today, we would call it impeccably woke. That’s part of what makes it so exciting
Steven Spielberg’s splendidly entertaining family movie has been duplicated so many times that it’s sometimes easy to forget just how well-done and satisfying it is.
Just as atrocious as its immediate predecessor “Return of the Living Dead: Necropolis,” this fourth sequel seems to have been shot back-to-back with “Necropolis” by
Abominable junk from beginning to end, this third sequel to the 1985 horror classic is an embarrassment to the overall series. Shot like a student