It’s more of the same for this sequel to 2014’s runaway smash, and while I wasn’t a huge fan of the first one, it turns

It’s more of the same for this sequel to 2014’s runaway smash, and while I wasn’t a huge fan of the first one, it turns
Oh, boy. Where to start with this one? The relentless, gratuitous nudity? The juvenile vulgarity? The oppressive misogyny? There’s just nothing good going on from
Alexandra Aja’s remake of the 1978 cult classic is superior to its source material: Aja tackles the B-movie concept of the original with demented glee